{"id":5659,"date":"2024-07-23T11:11:26","date_gmt":"2024-07-23T09:11:26","guid":{"rendered":"https:\/\/acusticaapplicata.com\/?post_type=reference&#038;p=5659"},"modified":"2024-07-23T19:03:30","modified_gmt":"2024-07-23T17:03:30","slug":"mravinsky-bartok-debussy-stravinsky-mel-cd-10-00937","status":"publish","type":"reference","link":"https:\/\/acusticaapplicata.com\/en\/reference\/mravinsky-bartok-debussy-stravinsky-mel-cd-10-00937\/","title":{"rendered":"Mravinsky: B\u00e0rtok\/Debussy\/Stravinsky MEL CD 10 00937"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.26.0&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.26.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/acusticaapplicata.com\/wp-content\/uploads\/2024\/07\/11-Mravinsky-Bartok-a.jpg&#8221; title_text=&#8221;Version 1.0.0&#8243; _builder_version=&#8221;4.26.0&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.26.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/acusticaapplicata.com\/wp-content\/uploads\/2024\/07\/11-Mravinsky-Bartok-b.jpg&#8221; title_text=&#8221;11 Mravinsky-Bartok b&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.26.0&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.26.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;]<em>Composizione sinfoniche di Debussy, B\u00e0rtok, Stravinsky eseguite dalla Leningrad Philharmonic Orchestra diretta da Yevgeny Mravinsky .<\/em> Si tratta di registrazioni \u201clive\u201d realizzate a Mosca nel febbraio del 1965 per quanto riguarda i brani di Debussy e Bart\u00f3k (tracce 1-5) e nell\u2019ottobre del 1968 per quanto riguarda Stravinsky (tracce 6-22). La ripresa sonora del 1965 de \u201cApr\u00e8s-midi d\u2019un faun\u201d e de \u201cMusic for String, Percussion and Celesta\u201d (tracce 1-5) sta, a nostro parere, nell\u2019olimpo delle pi\u00f9 straordinarie registrazioni di musica sinfonica mai effettuate. Il soundstage \u00e8 plasticamente ben disegnato sia in larghezza, che in profondit\u00e0, che in altezza. L\u2019ambienza \u00e8 tangibile. La scansione dei piani sonori \u00e8 realistica, accurata, rispettosa dei rapporti dimensionali che stabiliscono le diverse sezioni orchestrali e gli strumenti fra loro. Le dinamiche, aspetto sonoro altamente significativo soprattutto per la musica sinfonica post-romantica, sono verosimilmente restituite, sia per quanto riguarda i possenti \u201ctutti\u201d che per i delicati, dialoganti intrecci orchestrali di basso livello. La trasparenza, \u201cil respiro\u201d dell\u2019orchestra e del pubblico, il perfetto equilibrio fra suono che direttamente giunge ai microfoni dagli strumenti dell\u2019orchestra e quello abilmente \u201critardato\u201d dall\u2019acustica della Great Hall di Mosca, pongono l\u2019ascoltatore in un posto centrale e privilegiato, di quattro o cinque file dietro al direttore d\u2019orchestra, consentendogli all\u2019occorrenza di apprezzare nitidamente sia l\u2019insieme orchestrale che le sue singole sezioni.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Composizione sinfoniche di Debussy, B\u00e0rtok, Stravinsky eseguite dalla Leningrad Philharmonic Orchestra diretta da Yevgeny Mravinsky . Si tratta di registrazioni \u201clive\u201d realizzate a Mosca nel febbraio del 1965 per quanto riguarda i brani di Debussy e Bart\u00f3k (tracce 1-5) e nell\u2019ottobre del 1968 per quanto riguarda Stravinsky (tracce 6-22). La ripresa sonora del 1965 de [&hellip;]<\/p>\n","protected":false},"featured_media":5556,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<p>[et_pb_section fb_built=\"1\" admin_label=\"section\" _builder_version=\"4.16\" global_colors_info=\"{}\"][et_pb_row column_structure=\"1_2,1_2\" _builder_version=\"4.26.0\" _module_preset=\"default\" width=\"100%\" max_width=\"100%\" global_colors_info=\"{}\"][et_pb_column type=\"1_2\" _builder_version=\"4.26.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/acusticaapplicata.com\/wp-content\/uploads\/2024\/07\/11-Mravinsky-Bartok-a.jpg\" title_text=\"Version 1.0.0\" _builder_version=\"4.26.0\" _module_preset=\"default\" width=\"100%\" max_width=\"100%\" global_colors_info=\"{}\"][\/et_pb_image][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.26.0\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_image src=\"https:\/\/acusticaapplicata.com\/wp-content\/uploads\/2024\/07\/11-Mravinsky-Bartok-b.jpg\" title_text=\"11 Mravinsky-Bartok b\" align=\"center\" _builder_version=\"4.26.0\" _module_preset=\"default\" width=\"100%\" max_width=\"100%\" global_colors_info=\"{}\"][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\"row\" _builder_version=\"4.26.0\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" hover_enabled=\"0\" global_colors_info=\"{}\" width=\"100%\" max_width=\"100%\" sticky_enabled=\"0\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text admin_label=\"Text\" _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" global_colors_info=\"{}\"]<em>Composizione sinfoniche di Debussy, B\u00e0rtok, Stravinsky eseguite dalla Leningrad Philharmonic Orchestra diretta da Yevgeny Mravinsky .<\/em> Si tratta di registrazioni \u201clive\u201d realizzate a Mosca nel febbraio del 1965 per quanto riguarda i brani di Debussy e Bart\u00f3k (tracce 1-5) e nell\u2019ottobre del 1968 per quanto riguarda Stravinsky (tracce 6-22). La ripresa sonora del 1965 de \u201cApr\u00e8s-midi d\u2019un faun\u201d e de \u201cMusic for String, Percussion and Celesta\u201d (tracce 1-5) sta, a nostro parere, nell\u2019olimpo delle pi\u00f9 straordinarie registrazioni di musica sinfonica mai effettuate. Il soundstage \u00e8 plasticamente ben disegnato sia in larghezza, che in profondit\u00e0, che in altezza. L\u2019ambienza \u00e8 tangibile. La scansione dei piani sonori \u00e8 realistica, accurata, rispettosa dei rapporti dimensionali che stabiliscono le diverse sezioni orchestrali e gli strumenti fra loro. Le dinamiche, aspetto sonoro altamente significativo soprattutto per la musica sinfonica post-romantica, sono verosimilmente restituite, sia per quanto riguarda i possenti \u201ctutti\u201d che per i delicati, dialoganti intrecci orchestrali di basso livello. La trasparenza, \u201cil respiro\u201d dell\u2019orchestra e del pubblico, il perfetto equilibrio fra suono che direttamente giunge ai microfoni dagli strumenti dell\u2019orchestra e quello abilmente \u201critardato\u201d dall\u2019acustica della Great Hall di Mosca, pongono l\u2019ascoltatore in un posto centrale e privilegiato, di quattro o cinque file dietro al direttore d\u2019orchestra, consentendogli all\u2019occorrenza di apprezzare nitidamente sia l\u2019insieme orchestrale che le sue singole sezioni.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","_et_gb_content_width":""},"class_list":["post-5659","reference","type-reference","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mravinsky: B\u00e0rtok\/Debussy\/Stravinsky MEL CD 10 00937 &#183; Acustica Applicata<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/acusticaapplicata.com\/en\/reference\/mravinsky-bartok-debussy-stravinsky-mel-cd-10-00937\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mravinsky: B\u00e0rtok\/Debussy\/Stravinsky MEL CD 10 00937 &#183; Acustica Applicata\" \/>\n<meta property=\"og:description\" content=\"Composizione sinfoniche di Debussy, B\u00e0rtok, Stravinsky eseguite dalla Leningrad Philharmonic Orchestra diretta da Yevgeny Mravinsky . 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